THE ULTIMATE GARTH BROOKS TRIBUTE featuring Shawn Gerhard is a high energy show based in Nashville, TN and features unparalleled showmanship, top level musicianship, and
promises guaranteed excitement for all ages.
I Hear Thunder marks the long-awaited return of four-time Grammy-nominated artist Tab Benoit. Renowned for his distinctive guitar tone and Otis-Redding-esque voice, Benoit has been a captivating figure in the roots music world for over thirty years. Tab's personal growth and advancement as a songwriter and musician have culminated in a benchmark recording. His new self-produced album, I Hear Thunder, for his imprint, Whiskey Bayou Records, is a testament to his fiery exuberance that first marked his career in 1992. The record not only showcases his artistic brilliance but also his profound commitment to environmental advocacy, a legacy that extends beyond the stage into the heart of the land that inspires his bluesy soul.
Sabbath “The Complete Black Sabbath Experience” performing The 50 plus Years of Black Sabbath show in a Theatrical re-creation of Black Sabbaths greatest era’s The Ozzy Years & The Ronnie James Dio era. Performed Note for Note to exact album perfection with exact equipment, stage props, instruments, exact tones, clothes and costumes! Show highlights include songs from the albums Black Sabbath, Paranoid, Black Sabbath #4, Sabotage, Mob Rules & Heaven & Hell and a few tasty deep cuts.
The high-powered new single from A Thousand Horses, “Highway Sound” marks the start of the most dynamic era yet in the Nashville-based band’s career. Produced by GRAMMY Award-winner Jon Randall, the wildly life-affirming anthem delves deeper into the freewheeling originality they’ve embraced since their Dave Cobb-produced debut SOUTHERNALITY—featuring the PLATINUM-certified smash “Smoke”—and artfully merges elements of Southern Rock, Classic Country, and hard-driving Americana. Along with adorning the track with plenty of ear-catching details (achieved in part through such left-of-center instrumentation as electric sitar and talkbox), A Thousand Horses fully capture what frontman Michael Hobby refers to as “the freedom of cutting ties with the negativity of the past, and putting your energy into celebrating a new beginning.”
After performing sold out shows across multiple different states and being recruited for international tours in Canada and Australia, JUMP has positioned themselves as one of the top up and coming Van Halen tributes on the planet.
Delivering two hours of classic David Lee Roth era Van Halen, the Toledo, Ohio based band lineup is composed of a group of youngsters all born in the mid-late 90’s and early 2000’s. While their age offers a visual aesthetic true to Van Halen in their prime, their sound also reflects the same shredding Eddie guitar solos, rock solid rhythm section, and the whaling two-tone screams reminiscent of David Lee Roth’s voice. Featuring a variety of hits and deep cuts off of the first 6 albums, JUMP’s live show includes a selection of skits and one liners portrayed by Van Halen from bootlegs of their live shows between 1978-1984.
Experience an embodiment of the David Lee Roth era of Van Halen and immerse yourself in YOUTH, NOSTALGIA AND ROCK ‘N ROLL.
David Nail’s candor cuts like a laser through star-making propriety, a ritual of predictable answers to predictable questions, recited by artists averse to the controversy that truth can bring.
True, he is respected up and down and beyond Music Row. He’s written or co-written multiple hits. Critics laud his singing too: The late, revered Chuck Dauphin, for one, marveled at Nail’s ability to turn an “ordinary lyric and arrangement” into a “tour de force,” adding, “simply put… he is not one of us.”
So he’s got rock-solid credentials. And he earned them despite a refusal to present himself in a false light. His songs pull no punches in evoking the demons with which he has wrestled through much of his life. As Nail explains, it’s not so much an act of courage to write about depression and its effects. Rather, it is simply who he is; he says, in conversation and through music, what he must say.
In Nail’s own words, “My philosophy has always been, I just hope to have a good enough year that I can have a next year while staying as true to myself as I possibly can.”
